Contents

STONE CRAFT

• Process and Techniques: The carving process essentially has the following sequence:
• SELECTION OF STONE: The stone used to make idols for temples as well as of a human consists of Black and grey granite which are locally available. In traditional language the artisans of the village call the black granite as ‘Purush Shila’ (Male Stone) and the grey granite as ‘Stree Shila’ (Female Stone), which is less hard, than the male stone. The artisan chooses the stones for making the idols according to the characteristics of the god or goddesses. • Selection of the stone (Hard granite, Soft Gray granite, Mysore stone, White granite) is done on the basis of the sculpture to be made, depending on male or female carving the artist wants.
• ROUGH EXERCISE: • The artist prepares detailed Sketching of the sculpture in the form of template on the hard paper, if necessary he also makes the clay models too. If there is a change in the figure style e.g., cloth draping etc., he also makes a wax model of the sculpture, in small scale. All these techniques not only give the artist the rough idea of the sculpture, but it also helps them to understand the proportion of the sculpture. This helps the master craftsmen to communicate with their fellow craftsmen who work under them as trainee regarding the understanding of the form
• WORKING PROCEDURE: The master craftsmen divide the work of sculpting into the three parts depending on the shape and size of the structure to be made.

Contents

STONE CRAFT

• Process and Techniques: The carving process essentially has the following sequence:
• SELECTION OF STONE: The stone used to make idols for temples as well as of a human consists of Black and grey granite which are locally available. In traditional language the artisans of the village call the black granite as ‘Purush Shila’ (Male Stone) and the grey granite as ‘Stree Shila’ (Female Stone), which is less hard, than the male stone. The artisan chooses the stones for making the idols according to the characteristics of the god or goddesses. • Selection of the stone (Hard granite, Soft Gray granite, Mysore stone, White granite) is done on the basis of the sculpture to be made, depending on male or female carving the artist wants.
• ROUGH EXERCISE: • The artist prepares detailed Sketching of the sculpture in the form of template on the hard paper, if necessary he also makes the clay models too. If there is a change in the figure style e.g., cloth draping etc., he also makes a wax model of the sculpture, in small scale. All these techniques not only give the artist the rough idea of the sculpture, but it also helps them to understand the proportion of the sculpture. This helps the master craftsmen to communicate with their fellow craftsmen who work under them as trainee regarding the understanding of the form
• WORKING PROCEDURE: The master craftsmen divide the work of sculpting into the three parts depending on the shape and size of the structure to be made.
• WORKING PROCEDURE: 1- The master craftsman does the marking on the rough stone. 2- The trainee or the helping craftsman who is/are semi-skilled or in learning stage removes the rough extra part of the stone. 3- The master craftsman himself does the final finishing.
• FINAL EXERCISE:1 • After getting the exact pictures of the sculpture, Dimensions of the figure to be manufactured are marked on a stone slab, the rough and extra portion are removed in order to get the basic shape, smooth or flat dressing is made to define each and every details. The marking on the stone is done by the red oxide in several layers. The red oxide is commonly available locally. The metal is crushed and then mixed with water in order to make red colour out of red oxide. The colour marks on the stone surface do not vanish while chiseling the surface.
• FINAL EXERCISE:2 • Final finishing of the surface is done by carborundam stones (Chane Kallu) & final polishing is done with water and emery papers. If the sculpture has to be painted in black, it is done with the colours which are extracted from local fruits, as sarkai, annabare and kenbabari (dry fruit) - these raw materials are heated, melted and used as colour pigment.
• THE MAIN TECHNIQUES USED ARE AS FOLLOWS: - 1.Cutting - Round chisel, Flat chisel, Hammer (all of different size). - 2. Grinding - Die grinder with different beats size, Channel cutter. - 3. Buffing - Hand buffer, traditionally made coconut shell hair brush. - 4. Polishing - Local fruits, as sarkai, annabari and kenbabari (dry fruit) are used.
• TOOLS: Common Tools used for Stone Crafts are: • Compass (Ttiwar) • Pencil • Steel ruler (L-shape) • Red oxide to mark centerand base of the statue • Hammer • chisels of different sizes and points • Blades • Grinding stone (to polish) • Brick to sharpen the tools • Cloth or brush to take the dust out (while polishing) • Power Drill • Die Grinder • Stone Cutter
• RAW MATERIALS: Raw materials used are: • Stone– Sandstone • Soft stone • Granite and marble, • Brass, Silver, Gold and Panch Loha (Bronze, Gun metal, Gold, silver, Copper) • Fibre (Acrylic and Fibre reinforced plastic)

Contents

ART & CRAFT

• 1. Primary Level- Basic of Line Drawing, Basic of Colour Drawing

Contents

ART & CRAFT

• 2. Secondary Level- Basic of Line Drawing, Basic of Drawing, Basic of Pencil Sketch, Sketch Drawing, Colour in Landscape, Basic of Water Colour, Basic of Craft

Contents

ART & CRAFT

• 3. Junior Level - Basic of Drawing, Pencil Sketch, Use of Water colour in Drawing, Basic of Poster Colour in Design or Crafting, Basic of Clay Craft, Basic of mixed media with Drawing.

Contents

ART & CRAFT

• 4. Senior Level - Water Colour Painting, Design in Water Colour, Poster Colour & Acrylic Colour. Basic of Acrylic colour, Glass Painting, Craftship, Basic of Sculpture, Basic of Ink Painting.

Contents

ART & CRAFT

• Diploma Level - Water colour Painting,Acrylic colour painting, Sculpture, Ink Painting, Gouache painting, Landscape Painting, Basic of Realism Painting, Basic of Outdoor Painting, Basic of Abstract Painting, Basic of Pap Ant, Basic of Model Study